Expressive Arts: Therapy, Consulting, Education
"Finding Our Way Back Home"
Winner of the Native Writers' Circle of the Americas first Book Award.
"Billboard in the Clouds" is a volume of poems that intimately weaves the rhythms of warriors, family, clan, and people, with the songs of tides, winds, birds, and crops, and the intense strength of poet Suzanne Rancourt's own heartbeat. Rancourt creates her poems with a tongue that is sparse and clean, simple and elegant -- rich with music and purpose." devorah major brown, author of Brown Glass Windows and where river meets ocean.
"Suzanne Rancourt's Billboard in the Clouds should go a long way dispelling the common plaint of non-Native new Englanders and upper-state New Yorkers that there are no Indian people in the area. The Abenaki world in these poems resonates just as smoothly and clearly as similar Indian worlds do in Sherman Alexie novel or a Joy Harjo poem. Read this book and you will see what I'm talking about."
---Geary Hobson, author of The Last of the Ofos
"With vivid images and ecstatic intensity, Suzanne Rancourt maps the jagged contours of the contemporary landscape. Her family stories show us how history weaves through our lives, how the simplest moments become ceremonies. I am struck by her honesty, her refusal to look away from the most difficult truths. Grounded in the northeast land of her ancestors, her poetry affirms a deep connectedness that is crucial to our survival." ---Cheryl Savageau, author of Dirt Road Home
to Suzanne's poetry, fiction, creative non-fiction, and music.
Photography: The Bear Review "Ghost Dance"
Three Drops from a Cauldron #16 cover art "Moon Bow"
Original song: "Kataahdin"
"Women Veterans and Multi Modal Post-Traumatic Growth: Making the Tree Whole Again" pg 72 - 85
Interview with Amherst Writers' & Artists' founder, Pat Schneider
"The Bear That Stands" pg 29
"Suzanne Rancourt's Authentic Voice: One Writer's GPS to Wholeness" appeared in Poets & Writers Readings & Workshops Blog October 11, 2013. Click HERE to read.
"When Your G-String Breaks" audio The Gyroscope Review. "Unhinged," Bad Girls Speak," "Tanning the Hides with Sisyphus," "Sculling in Winnipeg" Synaeresis#7 Harmonia Press, London, ON "Letters Home," "A Wave Could Crash Upon Me," "afternoon," "Plasma," "Sleep Will Come Tomorrow,""Clean Skin" Grey Borders Magazine, Niagara Falls, ON "Stones as Words" Winter 2019 Big Pond Rumours - International Literary Zine, Sarnia, ON "When Your G String Breaks" theSame
(The link is proving problematic. Follow the search prompts.)
"Impressive Education: Mrs. F. the Librarian," "The Boneman," "Maccha," "Mediterranean Blues," "When the Glacier is Gone." Dawnland Voices 2.0 #4
"Caput Mortuum," "Mish'ala," "Curves of Grace"
In the Trenches Anthology, Verto Publishing, Poems - "Venom, Sweet Venom," "the dead are not dead," "A Bridge of Social Renaissance."
#98 "The Baby Singer."
Ms. Rancourt's 4 poems French Translations by Beatrice Machet
Avec la bouche de qui je parle, Le voile réticent, Pères et fils – Brighton Beach, and Le bord.
"Harvesting the Spring."
"Visions of Clara"
"The Smell of Blood"
"Why I Don't Meditate"
"When the Wind Stops," "Ghost Nets," "Not Tonight," "The Edge"
"The Reticent Veil"
Writing of Indigenous New England
Whose Mouth Do I Speak With?
I can remember my father bringing home spruce gum.
He worked in the woods and filled his pockets
with golden chunks of pitch.
For his children
he provided this special sacrament
and we'd gather at his feet, around his legs,
bumping his lunchbox, and his empty thermos rattled inside.
Our skin would stick to Daddy's gluey clothing
and we'd smell like Mumma's Pine Sol.
We had no money for store bought gum
but that's all right.
The spruce gum
was so close to chewing amber
as though in our mouths we held the eyes of Coyote
and how many other children had fathers
that placed on their innocent, anxious tongues
the blood of trees?
Dawnland Voices calls attention to the
little-known but extraordinarily rich literary
traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag.
Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago. To Order click HERE
PRE ORDER Ms. Rancourt's newest book of poetry, murmurs at the gate (if in the U.S.) HERE Outside of the U.S. click HERE or HERE. Suzanne S. Rancourt’s second book of poetry uses both fictional and auto-biographical events to create a chorus of survivors. These poems, for the unspeakable, the marginalized, the “in-betweeners,” create a chorus of survivors in the theater of life’s sorrow, love, tragedy, beauty, and profound human resiliency. (Book cover photo by Tif Holmes.)
"Photography in Geneva" Twist in Time # 5 Sept 2019
"Shiver: with Maine Accent Shiva," "Morning Morendo,"
"Return Convolution: RECONvolution"
Avatar Review #21
"Roda" Shaking the Sheets Magazine
Audio releases of Ms. Rancourt reading "Blood on Blood," Quiddity Lit NPR Radio;
Ms. Rancourt has six poems in this incredibly diverse Anthology that draws from writers globally, various genres, ages, backgrounds. This Anthology looks at War and Conflict from multiple human perspectives. This is an educational resource. Click HERE to order.
Poems: Mish'ala, Caput Mortuum,
Curves of Grace
Click on image to order.
Courage Grows Strong at the Wound, Steelies
click ON IMAGE to order and support
your local art centers!
CNF "Bushido and Choice" is included in this diverse mix of genre and Nationalities. An educational resource. Click HERE to order.
Includes "Whose Mouth Do I Speak With?"
The only book designed specifically for the AP® Literature and Composition course is back and even better. Organized thematically to put meaning first, Literature & Composition offers a wide variety of classic and current literature, plus all of the support students need to analyze and write about it—for assignments and on the AP® Literature Exam.
Ms. Rancourt has poetry and a craft essay included in this anthology.
In this groundbreaking anthology of Indigenous poetry and prose, Native poems, stories, and essays are informed with a knowledge of both what has been lost and what is being restored. It offers a diverse collection of stories told by Indigenous writers about themselves, their histories, and their present. It is a celebration of culture and the possibilities of language.
Featuring forty-four poets, including Ishmael Hope, Bojan Louis, Ruby Murray, Simon Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, dg okpik, Sherwin Bitsui, Heid E. Erdrich, Layli Long Soldier, and Orlando White.
Original influence essays by Diane Glancy on Lorca, Chrystos on Audre Lorde, Louise Erdrich on Elizabeth Bishop, LeAnne Howe on W. D. Snodgrass, Allison Hedge Coke on Delmore Schwartz, Suzanne Rancourt on Ai, and M. L. Smoker on Richard Hugo, among others.
And, a selection of resonant work chosen from previous generations of Native artists. Click HERE to order.